A BEGGAR’S PALACE - A Free Story

From the ebook Sylvie and Bruno
The sequel to Alice in Wonderland
By Lewis Carrol

That I had said something, in the act of waking, I felt sure: the hoarse stifled cry was still ringing in my ears, even if the startled look of my fellow-traveler had not been evidence enough: but what could I possibly say by way of apology?

“I hope I didn’t frighten you?” I stammered out at last. “I have no idea what I said. I was dreaming.”

“You said ‘Uggug indeed!’” the young lady replied, with quivering lips that would curve themselves into a smile, in spite of all her efforts to look grave. “At least—you didn’t say it—you shouted it!”

“I’m very sorry,” was all I could say, feeling very penitent and helpless. “She has Sylvie’s eyes!” I thought to myself, half-doubting whether, even now, I were fairly awake. “And that sweet look of innocent wonder is all Sylvie’s, too. But Sylvie hasn’t got that calm resolute mouth—nor that far-away look of dreamy sadness, like one that has had some deep sorrow, very long ago——” And the thick-coming fancies almost prevented my hearing the lady’s next words.

“If you had had a ‘Shilling Dreadful’ in your hand,” she proceeded, “something about Ghosts—or Dynamite—or Midnight Murder—one could understand it: those things aren’t worth the shilling, unless they give one a Nightmare. But really—with only a medical treatise, you know——” and she glanced, with a pretty shrug of contempt, at the book over which I had fallen asleep.

Her friendliness, and utter unreserve, took me aback for a moment; yet there was no touch of forwardness, or boldness, about the child—for child, almost, she seemed to be: I guessed her at scarcely over twenty—all was the innocent frankness of some angelic visitant, new to the ways of earth and the conventionalisms—or, if you will, the barbarisms—of Society. “Even so,” I mused, “will Sylvie look and speak, in another ten years.”

“You don’t care for Ghosts, then,” I ventured to suggest, “unless they are really terrifying?”

“Quite so,” the lady assented. “The regular Railway-Ghosts—I mean the Ghosts of ordinary Railway-literature—are very poor affairs. I feel inclined to say, with Alexander Selkirk, ‘Their tameness is shocking to me’! And they never do any Midnight Murders. They couldn’t ‘welter in gore,’ to save their lives!”

“‘Weltering in gore’ is a very expressive phrase, certainly. Can it be done in any fluid, I wonder?”

“I think not,” the lady readily replied—quite as if she had thought it out, long ago. “It has to be something thick. For instance, you might welter in bread-sauce. That, being white, would be more suitable for a Ghost, supposing it wished to welter!”

“You have a real good terrifying Ghost in that book?” I hinted.

“How could you guess?” she exclaimed with the most engaging frankness, and placed the volume in my hands. I opened it eagerly, with a not unpleasant thrill (like what a good ghost-story gives one) at the ‘uncanny’ coincidence of my having so unexpectedly divined the subject of her studies.

It was a book of Domestic Cookery, open at the article ‘Bread Sauce.’

I returned the book, looking, I suppose, a little blank, as the lady laughed merrily at my discomfiture. “It’s far more exciting than some of the modern ghosts, I assure you! Now there was a Ghost last month—I don’t mean a real Ghost in—in Supernature—but in a Magazine. It was a perfectly flavourless Ghost. It wouldn’t have frightened a mouse! It wasn’t a Ghost that one would even offer a chair to!”

“Three score years and ten, baldness, and spectacles, have their advantages after all!” I said to myself. “Instead of a bashful youth and maiden, gasping out monosyllables at awful intervals, here we have an old man and a child, quite at their ease, talking as if they had known each other for years! Then you think,” I continued aloud, “that we ought sometimes to ask a Ghost to sit down? But have we any authority for it? In Shakespeare, for instance—there are plenty of ghosts there—does Shakespeare ever give the stage-direction ‘hands chair to Ghost’?”

The lady looked puzzled and thoughtful for a moment: then she almost clapped her hands. “Yes, yes, he does!” she cried. “He makes Hamlet say ‘Rest, rest, perturbed Spirit!’”

“And that, I suppose, means an easy-chair?”

“An American rocking-chair, I think——”

“Fayfield Junction, my Lady, change for Elveston!” the guard announced, flinging open the door of the carriage: and we soon found ourselves, with all our portable property around us, on the platform.

The accommodation, provided for passengers waiting at this Junction, was distinctly inadequate—a single wooden bench, apparently intended for three sitters only: and even this was already partially occupied by a very old man, in a smock frock, who sat, with rounded shoulders and drooping head, and with hands clasped on the top of his stick so as to make a sort of pillow for that wrinkled face with its look of patient weariness.

“Come, you be off!” the Station-master roughly accosted the poor old man. “You be off, and make way for your betters! This way, my Lady!” he added in a perfectly different tone. “If your Ladyship will take a seat, the train will be up in a few minutes.” The cringing servility of his manner was due, no doubt, to the address legible on the pile of luggage, which announced their owner to be “Lady Muriel Orme, passenger to Elveston, viâ Fayfield Junction.”

As I watched the old man slowly rise to his feet, and hobble a few paces down the platform, the lines came to my lips:—

“From sackcloth couch the Monk arose,
With toil his stiffen’d limbs he rear’d;
A hundred years had flung their snows
On his thin locks and floating beard.”

But the lady scarcely noticed the little incident. After one glance at the ‘banished man,’ who stood tremulously leaning on his stick, she turned to me. “This is not an American rocking-chair, by any means! Yet may I say,” slightly changing her place, so as to make room for me beside her, “may I say, in Hamlet’s words, ‘Rest, rest——’” she broke off with a silvery laugh.

‘COME, YOU BE OFF!’

“‘—perturbed Spirit!’” I finished the sentence for her. “Yes, that describes a railway-traveler exactly! And here is an instance of it,” I added, as the tiny local train drew up alongside the platform, and the porters bustled about, opening carriage-doors—one of them helping the poor old man to hoist himself into a third-class carriage, while another of them obsequiously conducted the lady and myself into a first-class.

She paused, before following him, to watch the progress of the other passenger. “Poor old man!” she said. “How weak and ill he looks! It was a shame to let him be turned away like that. I’m very sorry——” At this moment it dawned on me that these words were not addressed to me, but that she was unconsciously thinking aloud. I moved away a few steps, and waited to follow her into the carriage, where I resumed the conversation.

“Shakespeare must have traveled by rail, if only in a dream: ‘perturbed Spirit’ is such a happy phrase.”

“‘Perturbed’ referring, no doubt,” she rejoined, “to the sensational booklets peculiar to the Rail. If Steam has done nothing else, it has at least added a whole new Species to English Literature!”

“No doubt of it,” I echoed. “The true origin of all our medical books—and all our cookery-books——”

“No, no!” she broke in merrily. “I didn’t mean our Literature! We are quite abnormal. But the booklets—the little thrilling romances, where the Murder comes at page fifteen, and the Wedding at page forty—surely they are due to Steam?”

“And when we travel by Electricity—if I may venture to develop your theory—we shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page.”

“A development worthy of Darwin!” the lady exclaimed enthusiastically. “Only you reverse his theory. Instead of developing a mouse into an elephant, you would develop an elephant into a mouse!” But here we plunged into a tunnel, and I leaned back and closed my eyes for a moment, trying to recall a few of the incidents of my recent dream.

“I thought I saw——” I murmured sleepily: and then the phrase insisted on conjugating itself, and ran into “you thought you saw—he thought he saw——” and then it suddenly went off into a song:—

“He thought he saw an Elephant,
That practised on a fife:
He looked again, and found it was
A letter from his wife.
‘At length I realise,’ he said,
‘The bitterness of Life!’”

And what a wild being it was who sang these wild words! A Gardener he seemed to be—yet surely a mad one, by the way he brandished his rake—madder, by the way he broke, ever and anon, into a frantic jig—maddest of all, by the shriek in which he brought out the last words of the stanza!

It was so far a description of himself that he had the feet of an Elephant: but the rest of him was skin and bone: and the wisps of loose straw, that bristled all about him, suggested that he had been originally stuffed with it, and that nearly all the stuffing had come out.

Sylvie and Bruno waited patiently till the end of the first verse. Then Sylvie advanced alone (Bruno having suddenly turned shy) and timidly introduced herself with the words “Please, I’m Sylvie!”

“And who’s that other thing?” said the Gardener.

“What thing?” said Sylvie, looking round. “Oh, that’s Bruno. He’s my brother.”

“Was he your brother yesterday?” the Gardener anxiously enquired.

“Course I were!” cried Bruno, who had gradually crept nearer, and didn’t at all like being talked about without having his share in the conversation.

“Ah, well!” the Gardener said with a kind of groan. “Things change so, here. Whenever I look again, it’s sure to be something different! Yet I does my duty! I gets up wriggle-early at five——”

“If I was oo,” said Bruno, “I wouldn’t wriggle so early. It’s as bad as being a worm!” he added, in an undertone to Sylvie.

“But you shouldn’t be lazy in the morning, Bruno,” said Sylvie. “Remember, it’s the early bird that picks up the worm!”

“It may, if it likes!” Bruno said with a slight yawn. “I don’t like eating worms, one bit. I always stop in bed till the early bird has picked them up!”

“I wonder you’ve the face to tell me such fibs!” cried the Gardener.

To which Bruno wisely replied “Oo don’t want a face to tell fibs wiz—only a mouf.”

Sylvie discreetly changed the subject. “And did you plant all these flowers?” she said. “What a lovely garden you’ve made! Do you know, I’d like to live here always!”

“In the winter-nights——” the Gardener was beginning.

THE GARDENER

 

“But I’d nearly forgotten what we came about!” Sylvie interrupted. “Would you please let us through into the road? There’s a poor old beggar just gone out—and he’s very hungry—and Bruno wants to give him his cake, you know!”

“It’s as much as my place is worth!” the Gardener muttered, taking a key from his pocket, and beginning to unlock a door in the garden-wall.

“How much are it wurf?” Bruno innocently enquired.

But the Gardener only grinned. “That’s a secret!” he said. “Mind you come back quick!” he called after the children, as they passed out into the road. I had just time to follow them, before he shut the door again.

We hurried down the road, and very soon caught sight of the old Beggar, about a quarter of a mile ahead of us, and the children at once set off running to overtake him. Lightly and swiftly they skimmed over the ground, and I could not in the least understand how it was I kept up with them so easily. But the unsolved problem did not worry me so much as at another time it might have done, there were so many other things to attend to.

The old Beggar must have been very deaf, as he paid no attention whatever to Bruno’s eager shouting, but trudged wearily on, never pausing until the child got in front of him and held up the slice of cake. The poor little fellow was quite out of breath, and could only utter the one word “Cake!”—not with the gloomy decision with which Her Excellency had so lately pronounced it, but with a sweet childish timidity, looking up into the old man’s face with eyes that loved ‘all things both great and small.’

The old man snatched it from him, and devoured it greedily, as some hungry wild beast might have done, but never a word of thanks did he give his little benefactor—only growled “More, more!” and glared at the half-frightened children.

“There is no more!” Sylvie said with tears in her eyes. “I’d eaten mine. It was a shame to let you be turned away like that. I’m very sorry——”

I lost the rest of the sentence, for my mind had recurred, with a great shock of surprise, to Lady Muriel Orme, who had so lately uttered these very words of Sylvie’s—yes, and in Sylvie’s own voice, and with Sylvie’s gentle pleading eyes!

“Follow me!” were the next words I heard, as the old man waved his hand, with a dignified grace that ill suited his ragged dress, over a bush, that stood by the road side, which began instantly to sink into the earth. At another time I might have doubted the evidence of my eyes, or at least have felt some astonishment: but, in this strange scene, my whole being seemed absorbed in strong curiosity as to what would happen next.

When the bush had sunk quite out of our sight, marble steps were seen, leading downwards into darkness. The old man led the way, and we eagerly followed.

The staircase was so dark, at first, that I could only just see the forms of the children, as, hand-in-hand, they groped their way down after their guide: but it got lighter every moment, with a strange silvery brightness, that seemed to exist in the air, as there were no lamps visible; and, when at last we reached a level floor, the room, in which we found ourselves, was almost as light as day.

It was eight-sided, having in each angle a slender pillar, round which silken draperies were twined. The wall between the pillars was entirely covered, to the height of six or seven feet, with creepers, from which hung quantities of ripe fruit and of brilliant flowers, that almost hid the leaves.

In another place, perchance, I might have wondered to see fruit and flowers growing together: here, my chief wonder was that neither fruit nor flowers were such as I had ever seen before. Higher up, each wall contained a circular window of coloured glass; and over all was an arched roof, that seemed to be spangled all over with jewels.

A BEGGAR’S PALACE

With hardly less wonder, I turned this way and that, trying to make out how in the world we had come in: for there was no door: and all the walls were thickly covered with the lovely creepers.

“We are safe here, my darlings!” said the old man, laying a hand on Sylvie’s shoulder, and bending down to kiss her. Sylvie drew back hastily, with an offended air: but in another moment, with a glad cry of “Why, it’s Father!”, she had run into his arms.

“Father! Father!” Bruno repeated: and, while the happy children were being hugged and kissed, I could but rub my eyes and say “Where, then, are the rags gone to?”; for the old man was now dressed in royal robes that glittered with jewels and gold embroidery, and wore a circlet of gold around his head.

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A Free Story from the ebook Sylvie and Bruno
The sequel to Alice in Wonderland
By Lewis Carrol – with just as much silliness and fantasy as Alice in Wonderland

ISBN: 9788834181546

URL/Download Link: https://bit.ly/2XCSsZo

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THE PRINCESS OF THE GOLDEN CASTLE -A Free Story

From the ebook “The Counterpane Fairy”

Teddy was laid-up in bed

EDDY was all alone, for his mother had been up with him so much the night before that at about four o'clock in the afternoon she said that she was going to lie down for a little while.

The room where Teddy lay was very pleasant, with two big windows, and the furniture covered with gay old-fashioned India calico. His mother had set a glass of milk on the table beside his bed, and left the stair door ajar so that he could call Hannah, the cook, if he wanted anything, and then she had gone over to her own room.

The little boy had always enjoyed being ill, for then he was read aloud to and had lemonade, but this had been a real illness, and though he was better now, the doctor still would not let him have anything but milk and gruel. He was feeling rather lonely, too, though the fire crackled cheerfully, and he could hear Hannah singing to herself in the kitchen below.

Teddy turned over the leaves of Robinson Crusoe for a while, looking at the gaily colored pictures, and then he closed it and called, "Hannah!" The singing in the kitchen below ceased, and Teddy knew that Hannah was listening. "Hannah!" he called again.

At the second call Hannah came hurrying up the stairs and into the room. "What do you want, Teddy?" she asked.

"Hannah, I want to ask mamma something," said Teddy.

"Oh," said Hannah, "you wouldn't want me to call your poor mother, would you, when she was up with you the whole of last night and has just gone to lie down a bit?"

"I want to ask her something," repeated Teddy.

"You ask me what you want to know," suggested Hannah. "Your poor mother's so tired that I'm sure you are too much of a man to want me to call her."

"Well, I want to ask her if I may have a cracker," said Teddy.

"Oh, no; you couldn't have that," said Hannah. "Don't you know that the doctor said you mustn't have anything but milk and gruel? Did you want to ask her anything else?"

"No," said Teddy, and his lip trembled.

After that Hannah went down-stairs to her work again, and Teddy lay staring out of the window at the windy gray clouds that were sweeping across the April sky. He grew lonelier and lonelier and a lump rose in his throat; presently a big tear trickled down his cheek and dripped off his chin.

"Oh dear, oh dear!" said a little voice just back of the hill his knees made as he lay with them drawn up in bed; "what a hill to climb!"

Teddy stopped crying and gazed wonderingly toward where the voice came from, and presently over the top of his knees appeared a brown peaked hood, a tiny withered face, a flapping brown cloak, and last of all two small feet in buckled shoes. It was a little old woman, so weazened and brown that she looked more like a dried leaf than anything else.

She seated herself on Teddy's knees and gazed down at him solemnly, and she was so light that he felt her weight no more than if she had been a feather.

Teddy lay staring at her for a while, and then he asked, "Who are you?"

"I'm the Counterpane Fairy," said the little figure, in a thin little voice.

"I don't know what that is," said Teddy.

"Well," said the Counterpane Fairy, "it's the sort of a fairy that lives in houses and watches out for the children. I used to be one of the court fairies, but I grew tired of that. There was nothing in it, you know."

"Nothing in what?" asked Teddy.

"Nothing in the court life. All day the fairies were swinging in spider-webs and sipping honey-dew, or playing games of hide-and-go-seek. The only comfort I had was with an old field-mouse who lived at the edge of the wood, and I used to spend a great deal of time with her; I used to take care of her babies when she was out hunting for something to eat; cunning little things they were, -- five of them, all fat and soft, and with such funny little tails."

"What became of them?"

"Oh, they moved away. They left before I did. As soon as they were old enough, Mother Field-mouse went. She said she couldn't stand the court fairies. They were always playing tricks on her, stopping up the door of her house with sticks and acorns, and making faces at her babies until they almost drove them into fits. So after that I left too."

"Where did you go?"

"Oh, hither and yon. Mostly where there were little sick boys and girls."

"Do you like little boys?"

"Yes, when they don't cry," said the Counterpane Fairy, staring at him very hard.

"Well, I was lonely," said Teddy. "I wanted my mamma."

"Yes, I know, but you oughtn't to have cried. I came to you, though, because you were lonely and sick, and I thought maybe you would like me to show you a story."

"Do you mean tell me a story?" asked Teddy.

"No," said the fairy, "I mean show you a story. It's a game I invented after I joined the Counterpane Fairies. Choose any one of the squares of the counterpane and I will show you how to play it. That's all you have to do, -- to choose a square."

Teddy looked the counterpane over carefully. "I think I'll choose that yellow square," he said, "because it looks so nice and bright."

"Very well," said the Counterpane Fairy. "Look straight at it and don't turn your eyes away until I count seven times seven and then you shall see the story of it."

Teddy fixed his eyes on the square and the fairy began to count. "One--two--three--four," she counted; Teddy heard her voice, thin and clear as the hissing of the logs on the hearth. "Don't look away from the square," she cried. "Five--six--seven" --it seemed to Teddy that the yellow silk square was turning to a mist before his eyes and wrapping everything about him in a golden glow. "Thirteen--fourteen" --the fairy counted on and on. "Forty-six--forty-seven--forty-eight--FORTY-NINE!"

At the words forty-nine, the Counterpane Fairy clapped her hands and Teddy looked about him. He was no longer in a golden mist. He was standing in a wonderful enchanted garden. The sky was like the golden sky at sunset, and the grass was so thickly set with tiny yellow flowers that it looked like a golden carpet. From this garden stretched a long flight of glass steps. They reached up and up and up to a great golden castle with shining domes and turrets.

"Listen!" said the Counterpane Fairy. "In that golden castle there lies an enchanted princess. For more than a hundred years she has been lying there waiting for the hero who is to come and rescue her, and you are the hero who can do it if you will."

With that the fairy led him to a little pool close by, and bade him look in the water. When Teddy looked, he saw himself standing there in the golden garden, and he did not appear as he ever had before. He was tall and strong and beautiful, like a hero.

"Yes," said Teddy, "I will do it."

At these words, from the grass, the bushes, and the tress around, suddenly started a flock of golden birds. They circled about him and over him, clapping their wings and singing triumphantly. Their song reminded Teddy of the blackbirds that sang on the lawn at home in the early spring, when the daffodils were up. Then in a moment they were all gone, and the garden was still again.

Their song had filled his heart with a longing for great deeds, and, without pausing longer, he ran to the glass steps and began to mount them.

Up and up and up he went. Once he turned and waved his hand to the Counterpane Fairy in the golden garden far below. She waved her hand in answer, and he heard her voice faint and clear. "Good-bye! Good-bye! Be brave and strong, and beware of that that is little and gray."

Then Teddy turned his face toward the castle, and in a moment he was standing before the great shining gates.

He raised his hand and struck bravely upon the door. There was no answer. Again he struck upon it, and his blow rang through the hall inside; then he opened the door and went in.

The hall was five-sided, and all of pure gold, as clear and shining as glass. Upon three sides of it were three arched doors; one was of emerald, one was of ruby, and one was of diamond; they were arched, and tall, and wide, -- fit for a hero to go through. The question was, behind which one lay the enchanted princess.

While Teddy stood there looking at them and wondering, he heard a little thin voice, that seemed to be singing to itself, and this is what it sang:

"In and out and out and in,
Quick as a flash I weave and spin.
Some may mistake and some forget,
But I'll have my spider-web finished yet."

When Teddy heard the song, he knew that someone must be awake in the enchanted castle, so he began looking about him.

On the fourth side of the wall there hung a curtain of silvery-gray spider-web, and the voice seemed to come from it. The hero went toward it, but he saw nothing, for the spider that was spinning it moved so fast that no eyes could follow it. Presently it paused up in the left-hand corner of the web, and then Teddy saw it. It looked very little to have spun all that curtain of silvery web.

As Teddy stood looking at it, it began to sing again:

"Here in my shining web I sit,
To look about and rest a bit.
I rest myself a bit and then,
Quick as a flash, I begin again."

"Mistress Spinner! Mistress Spinner!" cried Teddy. "Can you tell me where to find the enchanted princess who lies asleep waiting for me to come and rescue her?"

The spider sat quite still for a while, and then it said in a voice as thin as a hair: "You must go through the emerald door; you must go through the emerald door. What so fit as the emerald door for the hero who would do great deeds?"

Teddy did not so much as stay to thank the little gray spinner, he was in such a hurry to find the princess, but turning he sprang to the emerald door, flung it open, and stepped outside.

He found himself standing on the glass steps, and as his foot touched the topmost one the whole flight closed up like an umbrella, and in a moment Teddy was sliding down the smooth glass pane, faster and faster and faster until he could hardly catch his breath.

The next thing he knew he was standing in the golden garden, and there was the Counterpane Fairy beside him looking at him sadly. "You should have known better than to try the emerald door," she said; "and now shall we break the story?"

"Oh, no, no!" cried Teddy, and he was still the hero. "Let me try once more, for it may be I can yet save the princess."

Then the Counterpane Fairy smiled. "Very well," she said, "you shall try again; but remember what I told you, beware of that that is little and gray, and take this with you, for it may be of use." Stooping, she picked up a blade of grass from the ground and handed it to him.

The hero took it wondering, and in his hands it was changed to a sword that shone so brightly that it dazzled his eyes. Then he turned, and there was the long flight of glass steps leading up to the golden castle just as before; so thrusting the magic sword into his belt, he ran nimbly up and up and up, and not until he reached the very topmost step did he turn and look back to wave farewell to the Counterpane Fairy below. She waved her hand to him. "Remember," she called, "beware of what is little and gray."

He opened the door and went into the five-sided golden hall, and there were the three doors just as before, and the spider spinning and singing on the fourth side:

"Now the brave hero is wiser indeed;
He may have failed once, but he still may succeed.
Dull are the emeralds; diamonds are bright;
So is his wisdom that shines as the light."

"The diamond door!" cried Teddy. "Yes, that is the door that I should have tried. How could I have thought the emerald door was it?" and opening the diamond door he stepped through it.

He hardly had time to see that he was standing at the top of the glass steps, before --br-r-r-r! --they had shut up again into a smooth glass hill, and there he was spinning down them so fast that the wind whistled past his ears.

In less time than it takes to tell, he was back again for the third time in the golden garden, with the Counterpane Fairy standing before him, and he was ashamed to raise his eyes.

"So!" said the Counterpane Fairy. "Did you know no better than to open the diamond door?"

"No," said Teddy, "I knew no better."

"Then," said the fairy, "if you can pay no better heed to my warnings than that, the princess must wait for another hero, for you are not the one."

"Let me try but once more," cried Teddy, "for this time I shall surely find her."

"Then you may try once more and for the last time," said the fairy, "but beware of what is little and gray." Stooping she picked from the grass beside her a fallen acorn cup and handed it to him. "Take this with you," she said, "for it may serve you well."

As he took it from her, it was changed in his hand to a goblet of gold set round with precious stones. He thrust it into his bosom, for he was in haste, and turning he ran for the third time up the flight of glass steps. This time so eager was he that he never once paused to look back, but all the time he ran on up and up he was wondering what it was that she meant about her warning. She had said, "Beware of what is little and gray." What had he seen that was little and gray?

As soon as he reached the great golden hall he walked over to the curtain of spider-web. The spider was spinning so fast that it was little more than a gray streak, but presently it stopped up in the left-hand corner of the web. As the hero looked at it he saw that it was little and gray. Then it began to sing to him in its little thin voice:

"Great hero, wiser than ever before,
Try the red door, try the red door.
Open the door that is ruby, and then
You never need search for the princess again."

"No, I will not open the ruby door," cried Teddy. "Twice have you sent me back to the golden garden, and now you shall fool me no more."

As he said this he saw that one corner of the spider-web curtain was still unfinished, in spite of the spider's haste, and underneath was something that looked like a little yellow door. Then suddenly he knew that that was the door he must go through. He caught hold of the curtain and pulled, but it was as strong as steel. Quick as a flash he snatched from his belt the magic sword, and with one blow the curtain was cut in two, and fell at his feet.

He heard the little gray spider calling to him in its thin voice, but he paid no heed, for he had opened the little yellow door and stooped his head and entered.

Beyond was a great courtyard all of gold, and with a fountain leaping and splashing back into a golden basin in the middle. Bet what he saw first of all was the enchanted princess, who lay stretched out as if asleep upon a couch all covered with cloth of gold. He knew she was a princess, because she was so beautiful and because she wore a golden crown.

He stood looking at her without stirring, and at last he whispered: "Princess! Princess! I have come to save you."

Still she did not stir. He bent and touched her, but she lay there in her enchanted sleep, and her eyes did not open. Then Teddy looked about him, and seeing the fountain he drew the magic cup from his bosom and, filling it, sprinkled the hands and face of the princess with the water.

Then her eyes opened and she raised herself upon her elbow and smiled. "Have you come at last?" she cried.

"Yes," answered Teddy, "I have come."

The princess looked about her. "But what became of the spider?" she said. Then Teddy, too, looked about, and there was the spider running across the floor toward where the princess lay.

Quickly he sprang from her side and set his foot upon it. There was a thin squeak and then --there was nothing left of the little gray spinner but a tiny gray smudge on the floor.

Instantly the golden castle was shaken from top to bottom, and there was a sound of many voices shouting outside. The princess rose to her feet and caught the hero by the hand. "You have broken the enchantment," she cried, "and now you shall be the King of the Golden Castle and reign with me."

"Oh, but I can't," said Teddy, "because --because---"

But the princess drew him out with her through the hall, and there they were at the head of the flight of glass steps. A great host of soldiers and courtiers were running up it. They were dressed in cloth of gold, and they shouted at the sight of Teddy: "Hail to the hero! Hail to the hero!" and Teddy knew them by their voices for the golden birds that had fluttered around him in the garden below.

"And all this is yours," said the beautiful princess, turning toward him with---

"So that is the story of the yellow square," said the Counterpane Fairy.

Teddy looked about him. The golden castle was gone, and the stairs, and the shouting courtiers.

He was lying in bed with the silk coverlet over his little knees and Hannah was still singing in the kitchen below.

"Did you like it?" asked the fairy.

Teddy heaved a deep sigh. "Oh! Wasn't it beautiful?" he said. Then he lay for a while thinking and smiling. "Wasn't the princess lovely?" he whispered half to himself.

The Counterpane Fairy got up slowly and stiffly, and picked up the staff that she had laid down beside her. "Well, I must be journeying on," she said.

"Oh, no, no!" cried Teddy. "Please don't go yet."

"Yes, I must," said the Counterpane Fairy. "I hear your mother coming."

"But will you come back again?" cried Teddy.

The Counterpane Fairy made no answer. She was walking down the other side of the bedquilt hill, and Teddy heard her voice, little and thin, dying away in the distance: "Oh dear, dear, dear! What a hill to go down! What a hill it is! Oh dear, dear, dear!"

Then the door opened and his mother came in. She was looking rested, and she smiled at him lovingly, but the little brown Counterpane Fairy was gone.

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ISBN: 9788834181928

URL/Download Link: https://bit.ly/2XypbiD

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